Blue Gold

I love eye-opening and thought-provoking documentaries. However, the more such films I watch, the more pessimistic I got towards mankind as more and more inconvenient truth is revealed in front of me. Blue Gold is one of such documentaries I watched recently. Based on the book Blue Gold: The Fight to Stop the Corporate Theft of the World's Water, the film provides a critical examination of the global water privatization.

As stated in the film, water is today’s oil. Water crisis and privatization is simply beyond our imagination. Some shocking facts I learned include: the French water giants Suez, RWE and Vivendi buying water all over the world including many American cities such as Seattle, Chicago and Pittsburgh; the Cochabamba protests in 2000 against privatization of water in Bolivia (even collecting stormwater was against the law!); Bush family buying vast lands in Paraguay which sits atop one of the world's largest fresh-water aquifers…

The title of the film recalls another provocative documentary Black Gold which uncovers the extremely unfair trade in Africa’s coffee planting. Actually Blue Gold also briefly mentions the unfair tea trade which prevents African countries from getting rid of poverty. Both films accuse WTO, World Bank and big corporate firms of rapaciously exploiting resources and labor from developing countries. These agencies are secretly pulling the strings only to ensure the weak always remains weak so that they can always make huge profits. Of course they never forget to play a benevolent role by donating food and money to the poor countries. Without changing the world’s political and economic system, no environmental changes (or any other radical changes) can be made, precisely the key idea conveyed in the film.

The non-profit organization Solutions for a Better Planet has been organizing environmental films and lectures around the world, and Blue Gold is on their list. I’m excited to find out about their China Green Tour -
In June 2010, a month after the official opening of the Shanghai Expo, in eight universities across China we will screen documentaries on the main eco-issues of our current environmental crisis: water, waste, energy, climate change, urbanisation, food, deforestation, desertification..., and present positive examples of pragmatic solutions from all over the world.

I'll be back in China at the time, so hopefully I can attend some of the events!

How to Feed the World?

Directed by Denis van Waerebeke, this amazing infographic video explains the reasons behind the imbalanced global food distribution and suggests solutions to the problem. Although the animation was originally made for kids aged 9-14 at an exhibition, both its illuminating content and innovative graphics are worth checking out for adults as well. I'm also reminded of a relevant documentary Food Inc. which is among the pile of DVDs I haven't found time to watch.

How to feed the world ? from Denis van Waerebeke on Vimeo.

New Acropolis Museum

Although my trip was dominated by ancient architecture, I still hoped to check out some new buildings. Since Zaha’s MAXXI museum in Rome was not open yet, the New Acropolis Museum by Tschumi became my biggest interest for modern architecture.

The museum came into sight right after I walked out of the metro station. It’s much closer to the Acropolis than I imagined. The building has three articulated levels: the ground level is aligned with the old city grid, while the top level (the Parthenon Gallery) is aligned with the Parthenon. A visual dialogue is created between the museum and the Acropolis: first, the museum is built right above some archeological remains dated back almost 2500 years.

Second, the café terrace on the second floor both overlooks the excavations and embraces the view of the Acropolis. Third, the curtain wall in the Parthenon Gallery also offers a great view of the Parthenon itself.


The glass floors at different levels create a vertical transparency. It exhibits not only the excavations beneath the first floor, but also the people walking on the floor above. Natural light is maximized in exhibition space by the use of skylights and curtain wall. It is amazing to see the sculptures under the constantly changing daylight, quite similar to their original outdoor condition. (the interior pictures are from the internet since photos are forbidden inside the museum)


Tschumi always claims film’s strong influence on his design. Some cinematic effects are quite noticeable in the museum. For instance, in the Parthenon Gallery the marbles of the Parthenon Frieze are oriented in their original locations, with the missing portions left blank. Each framed marble panel reminds me of a single film frame displayed in sequence for storytelling. The Parthenon in direct view also provides the perfect context for appreciating the artwork.


Another filmic infusion is the evening projection of the Erechtheion caryatids on the façade. I missed it as I had to go back to the ship before dark:(


I love the simplicity and elegance of the museum which reflects the essence of Greek architecture. Admission is only 1 EUR, unbelievable for a world-class museum like this!

Art Cards for Baby

Today I met a new friend who is also a designer from China. She brought Chloe a set of art cards from Wee Gallery. I've never seen such artistic cards designed for baby! Love the fancy black-and-white pattern on each animal. They will be a sweet starter for Chloe's art education:) I couldn't help checking out their other collections. Wow, they are all beautiful!

To Venice

You are a labyrinth interwoven with water. I don’t even try to find my direction since reading a map is both useless and unnecessary.

I understand the very charm of you is not in those famous landmarks. The best way to appreciate you is by wandering, like in the bookloft.

I can’t explain my fascination with water and anything standing in the water. But I do know why I love the intricate network of narrow alleys - a reminder of the hutongs in Beijing. You happen to obsess me with both. How can I step away from you?

I want to leave my footprints on every street and every bridge of you. Three days seem too short! Wish I can walk in you endlessly, never ever stop. I would lose my way forever, like the protagonists in Last Year at Marienbad…

Surprise in Ancona

I didn’t expect much of Ancona before the trip, as Google Image only came up with some unattractive photos. However, when I walked deeper and deeper into the city , I discovered some unpretentious but interesting buildings.

One of the surprises is this contemporary apartment building among the classic blocks. It sits on a slope with its roof sloping in the same direction. The form of the building is not uncommon, a popular method of carving into one big block. A balance between individuality and unity is achieved by providing each unit a good amount of character.

Walking along the stepped street in front of the building was interestingly pleasant, as I observed the changing face of each window and various plants along the street or on the balconies. As I walked up the steps, I saw another building with a similar look further up the slope. But I found this one more appealing because of the terraced garden on the back.

The landscape design is so modest but charming, just like Ancona itself. I especially enjoyed the various paths leading to different levels and directions, and the rich texture of the paving bricks...

Thanks to Google Earth, I not only located the building, but also got to see the overall plan. The aerial photo even reveals some interesting designs on the roof terrace.

SMART Parking

Old Maps

I love old maps for their richness. They are usually very artistic and narrative instead of being purely technical like most maps today. On our way to the Sistine Chapel inside the Vatican Museum, we passed through the gorgeous Gallery of Maps. Besides the 40 large topographical maps of Italian regions, there are also several graphic maps depicting important cities. I was so excited to find three places I just visited -

The most noticeable one is the map of Venice at the end of the gallery. If you look closely, you will find captivating details of the Piazza San Marco.

The most noticeable one is a map of Ancona. I find it much less successful since the sail boats are too dominant whereas the city itself is hard to read.

The following one doesn’t show the name. My best guess is Lucca, judging primarily from the shape of the city wall. But I'm not sure about the pentagon at the bottom left corner.

I later found out that the maps in the gallery were commissioned in the late 1500s by Pope Gregory XIII. It took friar and geographer Ignazio Danti three years to paint. Although made 500 years ago with ancient instruments such as the Astrolabe, the maps are said to be amazingly accurate. I found an article discussing the accuracy of Danti's maps, very interesting:

http://goeurope.about.com/od/travelphotography/ig/Travel-Pictures/Vatican-map-Garfagnana.htm

Footprints in Eastern Mediterranean

My first trip to Europe was almost perfect

10 nights on land, 7 nights at sea

Each place has its own charm -

Rome is POWER

Vatican is DIVINITY

Florence is ART

Venice is ROMANCE

Siena is EXQUISITE

Lucca is WARMTH

Pisa is FAME

Ancona is UNPRETENTIOUSNESS

Athens is ELEGANCE

Santorini is SCULPTURE

Mykonos is FESTIVENESS

Corfu is PICTURESQUENESS

Dubrovnik is PERFECTION

I left my heart in Venice, Santorini and Dubrovnik. Will blog them in detail when I have time!

Fellini's Rome

Being an enthusiastic film location hunter, I was inquiring the possibility of a movie tour of Fellini’s Rome. After reading a little bit the book The sites of Rome: time, space, memory, I found out that his Rome was mainly constructed in studio 5 at Cinecittà, including even landmarks such as St. Peter's dome and the Colosseum. I wasn't aware that he preferred set shooting so much, quite the opposite of Antonioni's situationist style. Even though I'm still gonna see the famous Trevi Fountain in his La Dolce Vita.

As discussed by Elena Theodorakopoulos, Fellini's films may be said to visualize Freud's much-quoted idea that:
Rome is not a human habitation, but a psychical entity with a similarly long and copious past - an entity, that is to say, in which nothing that has once come into existence will have passed away and all the earlier phases of development continue to exist alongside the latest one.

In Fellini's own words: Tramping around from ruin to ruin doesn’t mean anything to me. My Rome is from the movies of my childhood.

If Fellini's Rome is a cinematic spectacle inspred by his collective childhood memory, then Tarkovsky's Italy is a mirror which reflects his deep Russian nostalgia. My favorite scenes in Nostalgia were filmed at Bagno Vignoni, a small village famous for its thermal baths. It's about an hour's bus drive from Siena. But I probably won't have time for it as I have only one day in Siena. Anyway I'll see Michelangelo's Piazza del Campidoglio, another distinct filming location of Nostalgia.

Tetsuya Ishida

Several douban friends recommended Tetsuya Ishida's paintings. I thus came to know this talented Japanese painter who died in 2005 at the age of 31 (probably a suicide). His surreal self portraits remind me so much of Frida Kahlo. His own body is frequently presented as part of a machine or a built object, tragically trapped in the suffocating urban surroundings. Through his desperate gazes, we sense his deep loss of freedom, identity, emotion, nature, childhood joys...

View his complete works at: http://www.tetsuyaishida.jp/

Foliage Weekend

Living in Pennsylvania for six years made me a fall-foliage addict. Although Ohio lacks the hilly topography which creates dramatic views, I still found favorite foliage places such as Hocking Hills and Highbanks soon after the move. This year we have to skip the long ride to Hocking Hill and took Chloe to the three beautiful metro parks: Highbanks, Prairie Oaks and Battelle Darby Creek.

Yestersday was actually our first time going to both Prairie Oaks and Battelle Darby Creek and we were really impressed. Prairie Oaks has three adjacent lakes with Big Darby creek running in between. We walked on a beautiful trail with a lake on one side and the creek on the other. Since most trails are pet friendly, we saw many happily walking dogs. Next time we'll bring Rexie for sure despite his car sickness!

Prairie Oaks

Driving south about 15 minutes, we arrived at Battelle Darby Creek. The two parks are linked by the same creek: Big Darby. We found a gorgeous view overlooking the creek as well as more colorful foliages in the woods here which recalls Highbanks.

Battelle Darby Creek

What we explored in either park is only a small portion of the entire land - more to discover in the future!

The Book Loft

Reading my friend's negative comments on the Book Loft made me want to write something about this unique bookstore. To me, the Book Loft is more than just a bookstore. It stands as a living example of dynamics in architectural space. Firstly, it blurs the boundary between public and private space and reverses the normal condition: a public bookstore in the setting of a private house. Isn’t the reversal of dining room and bathroom in Buñuel's The Phantom of Liberty an extreme case on this subject?!


One of the bookstore’s charms lies in its linear courtyard as the main entry. This serenely beautiful courtyard immediately turns the street scale into a personal scale, brings one’s mind into a peaceful retreat. Further down the path, the display windows on your right side create another type of storefront which is immersed in the domestic atmosphere rather than a commercial street feeling. Bathed in the warm yellow light at night, one can easily have the sense of going home on a cold winter night.

The linear courtyard reminds me of a charming little community garden I once visited in Philly. It is a water garden on the side of an old building, about the same size and shape as the one at the Book Loft. A ‘beer barrel’ at the corner collects stormwater from the neighboring roof which is reused for irrigating the garden. Three correlative murals depicting water cycles were done by the kids in the community.



Secondly, the Book Loft stands as a proof that getting lost is not necessarily a negative quality of architecture. This old Victorian house is a labyrinth that consists of 32 rooms of books, endless passageways, and staircases leading into new dimensions. However, this place is meant for wondering, exploring and getting lost only if you enjoy such a slow-paced and adventurous shopping experience. Associated with the quest for knowledge, isn’t the labyrinth a perfect metaphor for a bookstore? I still get lost after being there quite a few times, and each time I discover some new territories in both the architectural space and book collection. It is a similar experience every time I revisit a favorite film, picking up some unnoticed details.

Unlike box-shaped chain bookstores where one is always under surveillance, this maze-like space offers a perfect hiding place among the book jungles, which is rarely found in contemporary architecture. The Book Loft is probably a place Mr. Hulot would love! Anyone who is familiar with Tati’s Playtime knows that a large minimal glass cube is no more directional than the Book Loft, needless to say the lack of spatial interest or human attachment people can get out of.

I agree with my friend that their book selection needs to be improved. It would be great to include rare books and used books. Amazon is definitely the best place if you only care about selection and price. Nevertheless I still find Book Loft a hidden gem in this suburban city especially considering the fun experience it provides. Looking forward to my next half-day retreat, Hmmm…

Gallery Hop on Moon Festival

It was such a coincidence that the monthly Cbus event and the Chinese festival fell on the same day yesterday. We took Chloe to the hop for her first art experience. Carrying a 4-month old, I had no time to ponder upon any artwork this time. I still found the walk very enjoyable when browsing the funky galleries and stores, seeing so many people on the street, feeling the vitality of urban life. The Gallery Hop is one of the few occasions I can truly experience the urban flavor in town. I always find Cbus quite suburban, even the downtown area, compared to most other cities. I think it is all because of the homogeneous density.

Later we had yummy sushi at Kooma. A DJ showed up during our dining, bringing vibrant beats into the atmosphere. Chloe fell asleep amidst the seductive food smell and the exhilarating music!

Our last stop was the Book Loft, my No. 1 favorite spot in Cbus. I was immediately attracted by the beautiful side yard under the lights as I’d never been there at night before. I couldn’t help snapping a couple of pictures with my iPhone. I got lost again this time, and how I enjoy getting lost in this book maze! I brought a list of books I found on their website, unfortunately none of them are in store. Too bad I couldn’t spend money:)


The only imperfection was the lack of the moon due to the heavy clouds. I had to picture a bright full moon in my head…

Such Great Heights

I had to save this photo when I saw it on NPR this morning. Unbelievable, isn't it?! Found in Prairie Creek Redwoods State Park, this tree is at least 1500 years old and 300-foot high! The climbers' tiny bodies in the photo give you the best sense of scale. National Geographic photographer Michael Nichols spent a year photographing the giant redwoods in California. The process is quite interesting: he devised a way to do redwoods justice. It involved three cameras, a team of scientists, a robotic dolly, a gyroscope, an 83-photo composite and a lot of patience. The largest tree elevation is thus assembled! (see the video on NPR)

Hopefully I can travel to that State Park someday. My fascination with giant old trees originated from the forest scene in Hitchcock's Vertigo. I've traced the footsteps of Madeleine and Scottie through the redwoods at Muir Woods. The cycle of life and death, the cycle of death and rebirth, the poetic melancholy, the enigmatic beauty, will haunt me forever...

Waiting for the Love Story of Capitalism

I'm thrilled to hear about Michael Moore's new documentary Capitalism: A Love Story on NPR today. Always attracted by Moore's provocative documentaries, I wonder what controversies this one will stir up in American society. From his previous sensitive subjects such as terrorism and health care system, he makes a further step to investigate the much more substantial and fundamental issue: Capitalism itself.

Placing the yellow crime scene tape around Wall Street is so very Michael Moore, reminds me of the mock funeral he staged outside the HMO's headquarters in Sicko. His confrontational style has a powerful comedy and irony effect which is somewhat reminiscent of Chaplin.

Can't wait to watch Capitalism. Oct 2nd - Yes!!

Jeremy Liebman

I'm intrigued by the fashion photographs from American photographer Jeremy Liebman. He studied both film and liberal arts in college, no wonder his works exhibit a lot of consideration on the relationship between human body, costume pattern and space. Fashion design is best displayed against the minimal composition of the geometries. I find the first image really stunning, and also love the the sutble expression of light and shadows in all these photographs.

view more of his works at http://www.jeremyliebman.com/

Funky Dishwashing Gloves

As I need to wash a lot of Chloe's stuff these days, I decided to get a pair of dishwashing gloves to protect my hands. A little bit internet search led me into the world of funky dishwashing gloves. My favorites are the Lushlife sponge gloves (upper image) - so adorable and practical! The Couture series (lower image) are fine too, stylish with a retro and feminine look. Guess I'll get a pair of Lushlife to make everyday washing a fun experience!

Navel Tomato

It's the harvest time in my organic farm: tomatoes, cucumbers, zucchinis and colored peppers! Today I found this unique tomato and called it 'navel tomato'. Nature is the most fantastic designer and creator with a sense of humor. This tomato just reminds me of the heart-shaped potato in Varda's wonderful documentary The Gleaners and I, the perfect visual metaphor of the film's essence.

Buena Vista Social Club

I accidentally picked up the DVD Buena Vista Social Club (1999) in the library the other day and was left in awe after watching it. Buena Vista Social Club was the club in Havana where a group of Cuban musicians gathered to play during the 1940s. American guitarist Ry Cooder learned about those long-forgotten brilliant musicians and brought them together almost half a century after the club was closed. To my surprise, the director was Wim Wenders, who was persuaded by his friend Ry Cooder to make this documentary. The film is a combination of concert footages, interviews with each musician, and the shots of streetscape and daily life in Havana.

Already a big fan of Latin jazz, this documentary opened up a whole new horizon of traditional Cuban music in front of me: I got to know quite a few talented musicians whose names I’d never heard of, and learned about the personal side of my favorite musicians whom I only knew from CDs. While watching them in real life and hearing them telling their personal stories, I couldn’t help falling in love with the Rubén González’s elegance, Compay Segundo’s sense of humor, Ibrahim Ferrer’s sincerity….

One unforgettable scene leads the viewer through the empty interior of an old and beautiful colonial building, and then the camera moves towards Rubén González who is playing the piano and starts circling him slowly. Both the decaying interior and the wrinkled face of González are telling the story of aging, yet the music born out of his fingers remains youthful and passionate.

Despite all the political obstacles between US and Cuba, the musicians finally traveled to New York and performed at Carnegie Hall in 1998. The audience were simply overwhelmed by their passionate music and the musicians were left in tears. It was the final legendary show of Buena Vista Social Club considering some the musicians were in their nineties at the time. Today all the prominent musicians have already passed away, but their music never dies and continues to reach the hearts of people all around the world.

Regarding the filmmaking, I’m a bit disappointed with the way Wim Wenders handles the materials. I find the following two things quite disturbing: one is the excessive appearance of Ry Cooder and his son throughout the film. I understand Ry Cooder is a good friend of Wim and the organizer of the club’s reunion, but it makes no sense to give him more spotlight than any of the musician in the film; the other is the musicians’ reactions on touring New York City. They kept remarking on how beautiful the city is, which sounded so corny and destroyed the dignity of the musicians.

With Obama’s new policy, traveling to Cuba will no longer be a mission impossible for US residents in the near future. I can’t wait for the day to walk down the streets of Havana seeking the traces of Buena Vista Social Club, soaked in the enchanting traditional music. That’s another big motivation for my Spanish learning!

Here's the link for Buena Vista Social Club's Chan Chan (1998). I almost cry everytime I watch it -

http://www.youtube.com/watch?v=aY95AB8MBXk