Showing posts with label sculpture/installation. Show all posts
Showing posts with label sculpture/installation. Show all posts

Sunday, March 8, 2009

Tara Dononvan @ CAC


I’ve always been impressed with Tara Donovan’s vision of transforming ordinary everyday materials (such as styrofoam cups, paper, scotch tape, pins, toothpicks) into extraordinary artwork. Her sculptures invent a world between artificial compositions and natural landscapes. So when I learned that her works are on exhibition at CAC, I was thrilled and went with Ian yesterday. Perhaps I shouldn’t have taken such a long ride at this moment, but I just couldn’t resist the opportunity and hopefully this experience would spark some artistic cells in my little darling’s growing brain ^_^

It was at least my third time in Zaha’s building. This time the lobby ceiling becomes part of the exhibition with Tara’s famous cloud-like hanging piece. Before then, I only saw photos of this piece hanging in an empty minimalist space where the sculpture exhibits a pure and overwhelming gesture. But here it quietly integrates with Zaha’s dynamic interior, which reflects Tara’s idea of making the sculptures grow out of architectural space.

The magical part of seeing the real works lies in the shift of scale. It offers the viewer a fascinating process of discovery as you move around the sculptures. One of my favorites is a wall piece called ‘Haze’. At the first sight, it appears to be an icy and spongy surface with naturally formed bumps. When you walk closer, it seems softer and more translucent. The reflection of your moving body also makes the surface alive. When you get real close, you are amazed that the material is nothing more than clear plastic drinking straws – thousands of them! Another phenomenal piece is made of tiny metallic film tape rings which form huge organic patterns filling up three consecutive walls. I looked at a small portion and then looked up at the large pattern, the rings suddenly appeared to be shiny water bubbles glowing and expanding endlessly in front of my eyes.

Most of the sculptures are so large, which makes me wonder how they are shipped and assembled for each exhibition. My best guess is that each piece is kept in several parts in which the units are glued together. These parts are then put together on site, and necessary adjustments are made to make the piece fit into the specific exhibition space. Even like that, it still requires a huge amount of time to prepare for the show.


Unfortunately, photos are only allowed in few areas. But this unique experience Tara brought to me was permanently imprinted in my head. When we walked down the fancy stair to the first floor, we found the lobby was fully packed due to a performance. We watched for a while, soaked in the festival atmosphere rarely found in downtown Cincy, and then headed for IKEA for some baby stuff. It was a gorgeous feel-like-summer day filled with satisfaction…

Monday, August 25, 2008

Salar de Uyuni

When planning my upcoming Mexico trip, I happened to see these amazing pics of Salar de Uyuni, the world's largest salt flat in southwest Bolivia.


The salt mounds reminds me of Andy Goldsworthy's "ice cone". When covered with shallow water, Salar de Uyuni becomes extremely reflective. The human figure in the middle recalls the atmosphere in Antony Gormley's work Another Place (1997).

Bolivia is already on my travel wish list!

Thursday, May 22, 2008

Nature & Design - Jellyfish


Nature has always been a powerful source for design inspiration. Jellyfish is one miraculous design by mother nature: it is attractive for its exotic beauty, at the same time it's repulsive due to its poison. My favorite jellyfish images come from BBC's classic Blue Planet (above).

The unique form, color and texture of jellyfish has inspired so many designs, including product, architecture and art.

Jellyfish light fixtures

Jellyfish Sonic water speakers by Kota Nezu

Jellyfish House by IwamotoScott Architecture

Ceramic Jellyfish by artists Alissa Coe and Carly Waito

Saturday, December 15, 2007

The World of Andy Goldsworthy





I’m a big fan of Andy Goldsworthy. Then I found this documentrary Rivers and Tides: Andy Goldsworthy working with time in the library. After watching it, I realized that his works have to be appreciated in real time. Although photos did capture some powerful moments, his sculptures are truly 4-dimensional. He is more like a film director, and nature plays a starring role. He has the vision to discover the best actors in nature, and put together a scenario under the best natural light and timing, then let these characters improvise. Using nature as raw material, Andy superimposes something on nature which feels just proper and perfect. This way nature is elevated, for the sense of divinity and temporality is fully revealed. His works only made me realize that nature by itself is not enough.

Both the creation and destruction of his works happen so naturally, that you enjoy the whole process just like appreciating the peaking and fading of fall foliages. The death/birth dichotomy is a repetitive theme of his work, such as his interpretation of a black hole. This also explains his obsession with rivers and tides, the beauty within natural cycles. It’s a deeper understanding of the essence of nature and the essence of life.

The movie is quite a success. With frequent use of long takes and track shots, it brings us so close to Andy’s works and mind. It’s a mesmerizing experience, both cinematic and artistic.

Friday, March 30, 2007

ExtraOrdinary




I learned about Tara Donovan from a teammate today. I was amazed by her installations: transforming everyday inexpensive materials, such as plastic drinking straws, paper plates, pins, into organic forms, often reminiscent of natural landscape.

Friday, February 2, 2007

Lake Champlain



Another interesting snow-related artwork was done by installation artist McKendree Key on Lake Champlain, NY. The 4000 balls were scattered at 3 different locations of the lake, creating a juxtapostion of the natural landscape and the artificial landscape, questioning the relationship between our environment and ourselves.

Möbius Strip Snow Sculpture



It's been snowing for a few days here in Columbus, makes me want to see some snow art. Then I found this snow sculpture on the internet - It was an entry piece by a Minnesota team at 2005 Breckenridge International Snow Sculpture competition. The sculpture is an artistic version of a Möbius strip.
What is intriguing about this mathematical form is that: A Möbius strip has only ONE side and ONE edge. Following the path of a Möbius strip, we simply reach the opposite side without leaving the same surface - a flip without flipping, a twist without twisting.