The Sound of Painting is a fascinating and informative book I read recently. It explores the mutual inspiration between early modern art and early modern music by examining numerous artists’ works inspired by music.
In the chapter of Graphic Music, I was intrigued by several pieces of work which innovatively visualized music. The wittiest one is this Cat Symphony by Austrian painter Moritz won Schwind (1804-1871). He dedicated the score to Joseph Joachim (1831-1907), a renowned Hungarian violinist and composer. He described his idea of reforming the linear notation system as ‘this darling attempt to put a more expressive, spiritualized notation system in the place of this outmoded, obsolete, pedantic, and dry-as-dust copycat business.’